Korean Art

Cultivating the Unexpected

11 March - 18 April 2022
Opera Gallery London

Opera Gallery London is delighted to present Korean Art, Cultivating the Unexpected, a group show that brings together five prominent Korean contemporary artists: Cho Sung-Hee, Chun Kwang Young, Jae Ko, Yoo Bong Sang and Seo Young-Deok. Their artistic approaches to materials and forms speak to nature, culture, traditions and society in unusual ways. Dwelling on these multiple themes and encouraging their different interpretation, the exhibition builds unpredictable dialogues between sculptures, paintings, collages and mixed media works. These artists create multiple narratives which derive from different perspectives on their common cultural background.

Cho Sung-Hee (B. 1949)

In constructing the surface of her works, Cho Sung-Hee uses a collage method in which many circles are hand-cut or gently torn from traditional 'hanji' paper, then layered with oil pigments and placed one atop another. Cho successfully combines a traditional Korean sensibility with her unique vision and personal narrative. Her works explore the complex relationship between colour and texture through a labour intensive, time-consuming process.

Cho Sung-Hee


Green Blossom
2021
Korean mulberry paper with oil paint on canvas
162,2 x 130,3 cm | 63.9 x 51.3 In

Cho Sung-Hee

Blossom of Winter
2019
Korean mulberry paper with oil paint on canvas
162,2 x 130,3 cm | 63.9 x 51.3 in

Cho Sung-Hee

The Moon in the Garden
2021
Mulberry paper and polyester with oil paint on canvas
145 x 112 cm | 57.1 x 44.1 in

Cho Sung-Hee

Red Blossom with Green
2018
Korean mulberry paper with oil paint on canvas
145,5 x 112,1 cm | 57.3 x 44.1 in

Cho Sung-Hee

Black with Red
2019
Korean mulberry paper with oil paint on canvas
162,2 x 130,3 cm | 63.9 x 51.3 in

Cho Sung-Hee


White Blossom
2021
Korean mulberry paper and polyester with oil paint on canvas
162,2 x 130,3 cm | 63.9 x 51.3 in

Cho Sung-Hee

Horizon
2019
Korean mulberry paper with oil paint on canvas
162,2 x 130,3 cm | 63.9 x 51.3 in

Chun Kwang Young (B. 1944)

Chun Kwang Young wraps tiny geometric packages in paper and combines them into massive wall-mounted and freestanding assemblages. Each composition comprises thousands of individual mulberry paper parcels, carefully toned with tea and pigment and including the abstracted characters that allude to the paper’s origins as old documents. The works, which Chun refers to as ‘aggregations’, feature gradations in colour and smooth craters within their highly textured surfaces.

Chun Kwang Young

Aggregation 10-MY016 Blue and Red
2010
Mixed media with Korean mulberry paper
131 x 195 x 13,6 cm | 51.6 x 76.8 x 5.4 in

Chun Kwang Young

Aggregation 18-MA022
2018
Mixed media with Korean mulberry paper
180 x 145 cm | 70.9 x 57.1 in

Chun Kwang Young

Aggregation 17-JA006 (Dream3)
2017
Mixed media with Korean mulberry paper
195 x 132 cm | 76.8 x 52 in

Jae Ko (B. 1961)

Jae Ko creates a new visual language with elegant spirals and ribbon installations that can take on monumental proportions. She finds inspiration in nature, and her forms readily evoke organic matter-tree rings, tornadoes, roots, branches or seeds. The intuitive design of each of Jae’s sculptures are made from miles of everyday office, recycled paper or adding-machine tapes, which she unwinds and reshapes, bathes in vats of ink and then lets dry out over months. Her seductive work occupies a space between writing and sculpting; a biomorphic form that often looks like a swollen calligraphic mark.

Jae Ko

JK2051 Black with Ultramarine Blue
2019
Rolled paper, Sumi ink, glue
147 x 158 x 7,5 cm | 57.9 x 62.2 x 3 in

Jae Ko

JK365 Crimson
2015
Rolled paper, coloured ink, glue
56 x 44 x 15 cm | 22 x 17.3 x 5.9 in

Jae Ko


JK454 Wine Carmine with Orange
2014-2017
Rolled paper, coloured ink, glue
38 x 51 x 13 cm | 15 x 20.1 x 5.1 in

Jae Ko

JK764 Black
2017
Rolled paper, coloured ink, glue
76 x 32 x 43 cm | 29.9 x 12.6 x 16.9 in

Yoo Bong Sang (B. 1960)

Yoo Bong-Sang’s works can be best described as sculptural-paintings. Both meditative and meticulous, they combine photography, drawing, painting and the use of steel nails, which the artist inserts one by one to create figurative compositions with striking realism. Each painting requires nearly 300,000 nails and this time consuming and delicate art gives life to perplexing images that blend shadow and light, revealing views of forest scenery, architectural landscapes or figures.

Yoo Bong Sang

kjw20100806
2010
Nail and acrylic on wood
70 x 200 cm | 27.6 x 78.7 in

Yoo Bong Sang

JJ20200220
2020
Nail and acrylic on wood
60 x 150 cm | 23.6 x 59.1 in

Yoo Bong Sang

kjw20100924
2010
Nail and acrylic on wood
80 x 200 cm | 31.5 x 78.7 in

Yoo Bong Sang

TR20180505
2018
Nail and acrylic on wood
60 x 120 cm | 23.6 x 47.2 in

Seo Young-Deok (B. 1983)

Exploring the relationship between humans and their environment, Seo Young-Deok is best known for his hyper-realistic, life-size sculptures of human figures fashioned exclusively from welded chains taken from industrial machinery and bicycles. The shapes the artist creates with this cold and dark material, whether it be a human’s face with closed eyes, or a body surfacing from the background, is imbued with an emotion which is both strong and peaceful. The final uneven aspect of the outside shell of the sculptures recalls the emergence of cells being duplicated, a DNA chain intentionally left unfinished or even the complexity of modern societies.

Seo Young-Deok

Anguish 18
2013
Iron chain
95 x 45 x 70 cm | 37.4 x 17.7 x 27.6 In

Seo Young-Deok

Nirvana 357
2018
Iron chain
181 x 84 x 75 cm | 71.3 x 33.1 x 29.5 In

Seo Young-Deok

Meditation 626
2018
Iron chain
200 x 135 x 120 cm | 78.7 x 53.1 x 47.2 in